Marieke Berkelaar

Analoog & digitaal fotograaf
Architectuur, verlaten locaties en de verhalen die erin verscholen liggen.

Twee manieren van kijken

Ik ben Marieke, fotograaf en grafisch ontwerper. Mijn fotografie beweegt tussen twee werelden: digitaal en analoog. Digitaal geeft me de vrijheid om te experimenteren en bewust naar een beeld toe te werken. Analoog dwingt me juist om te vertragen, beter te kijken en ruimte te laten voor het onverwachte.

Wat beide verbindt, is mijn fascinatie voor wat anderen soms voorbijlopen. Verlaten plekken, stille ruimtes en sporen van een vorig leven. Ik probeer ze niet mooier te maken dan ze zijn, maar vast te leggen zoals ik ze aantref – met ruimte voor stilte, verval en imperfectie.

Een selectie van mijn werk

Analoog & digitaal, beide met dezelfde blik.

Series vol verhalen

Een serie begint voor mij bij iets dat mijn aandacht trekt. Een plek, een detail, het licht of een sfeer die vraagt om verder te kijken. Beeld voor beeld ontstaat een verhaal dat meer laat zien dan één foto alleen.

@secretstoyesterday
Marieke Berkelaar

@secretstoyesterday

I photograph what time leaves behind Dutch photographer β€’ 🎞 Analog + digital Abandoned places β€’ Architecture β€’ Award-winning β€’ Published
  • No AI. Just me and a questionable sense of adventure. πŸ™ƒ

Another year older, still choosing abandoned buildings over sensible birthday plans.

Real places. Real exploring. Real fun!
  • F*ck AI. I shot these on Polaroid SX-70.

No prompts. No pixels pretending to be real. Just instant film, imperfect moments, and the magic of watching a photograph come to life.

Real film. Real moments. No artificial anything.
  • WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
  • WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
  • WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
  • Still a little proud seeing Light hanging on the wall at Frayme’s exhibition at De Hallen Amsterdam. 

So special to see it surrounded by so many talented international analoge photographers and even better to meet some of them in person, hear their stories and share our passion for photography.

Thank you, @fraymemagazine, for this opportunity. 🀍
  • Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🀍

πŸ“– Published in the Frayme book
πŸ–ΌοΈ On view at the Frayme exhibition
πŸ“ De Hallen Amsterdam
πŸ“… Opening weekend: 25–27 September
  • There’s something about slowing down. 

Exploring abandoned places with a film camera makes you see things differently. You wait for the light, look for the details and take your time before pressing the shutter.

These are some of the moments behind my exploration and the analogue photographs that came from it.

No endless shots. No instant preview. Just an abandoned place and a little patience.
  • Hi! πŸ‘‹πŸ» I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. 

I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. 

I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. 

In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. 

For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. 

And there are some exciting things coming up. πŸ‘€
New projects, new opportunities and plenty more stories to capture. 

If you’re new here, welcome!
If you’ve been here for a while, thank you for staying. 

This is What Remains. πŸ–€

Photo: Yara den Houdijker
No AI. Just me and a questionable sense of adventure. πŸ™ƒ Another year older, still choosing abandoned buildings over sensible birthday plans. Real places. Real exploring. Real fun!
6 dagen ago
View on Instagram |
1/9
F*ck AI. I shot these on Polaroid SX-70. No prompts. No pixels pretending to be real. Just instant film, imperfect moments, and the magic of watching a photograph come to life. Real film. Real moments. No artificial anything.
3 weken ago
View on Instagram |
2/9
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3

An abandoned building holds a thousand stories. Sometimes, you just have to look closer.

Same place. Hidden details. A different perspective.

πŸ‘€ Did you spot it before the close-up?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 3 An abandoned building holds a thousand stories. Sometimes, you just have to look closer. Same place. Hidden details. A different perspective. πŸ‘€ Did you spot it before the close-up?
3 weken ago
View on Instagram |
3/9
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2

Sometimes, the most interesting photographs are hiding in plain sight.

What I see is an entire room.
What I shoot is one small detail within it.

Abandoned places are full of stories, you just have to slow down enough to notice them.

The frame shows what caught my eye.
The close-up shows what I chose to capture.

Would you have seen it too?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 2 Sometimes, the most interesting photographs are hiding in plain sight. What I see is an entire room. What I shoot is one small detail within it. Abandoned places are full of stories, you just have to slow down enough to notice them. The frame shows what caught my eye. The close-up shows what I chose to capture. Would you have seen it too?
4 weken ago
View on Instagram |
4/9
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1

I see a detail.
I frame a story.

On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer.

The first image is what caught my eye.
The second is what I chose to photograph.
Same place. Completely different perspective.

Would you have noticed this detail?
WHAT I SEE πŸ‘€ VS. WHAT I SHOOT πŸ“· β€” PART 1 I see a detail. I frame a story. On an abandoned location, there’s often so much happening at once: forgotten objects, textures, light and layers of decay. But sometimes, you only need to look a little closer. The first image is what caught my eye. The second is what I chose to photograph. Same place. Completely different perspective. Would you have noticed this detail?
1 maand ago
View on Instagram |
5/9
Still a little proud seeing Light hanging on the wall at Frayme’s exhibition at De Hallen Amsterdam. So special to see it surrounded by so many talented international analoge photographers and even better to meet some of them in person, hear their stories and share our passion for photography. Thank you, @fraymemagazine, for this opportunity. 🀍
1 maand ago
View on Instagram |
6/9
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🀍

πŸ“– Published in the Frayme book
πŸ–ΌοΈ On view at the Frayme exhibition
πŸ“ De Hallen Amsterdam
πŸ“… Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🀍

πŸ“– Published in the Frayme book
πŸ–ΌοΈ On view at the Frayme exhibition
πŸ“ De Hallen Amsterdam
πŸ“… Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🀍

πŸ“– Published in the Frayme book
πŸ–ΌοΈ On view at the Frayme exhibition
πŸ“ De Hallen Amsterdam
πŸ“… Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam! Some photographs find their way a little further than you expected. My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam. Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🀍 πŸ“– Published in the Frayme book πŸ–ΌοΈ On view at the Frayme exhibition πŸ“ De Hallen Amsterdam πŸ“… Opening weekend: 25–27 September
2 maanden ago
View on Instagram |
7/9
There’s something about slowing down. Exploring abandoned places with a film camera makes you see things differently. You wait for the light, look for the details and take your time before pressing the shutter. These are some of the moments behind my exploration and the analogue photographs that came from it. No endless shots. No instant preview. Just an abandoned place and a little patience.
2 maanden ago
View on Instagram |
8/9
Hi! πŸ‘‹πŸ» I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. 

I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. 

I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. 

In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. 

For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. 

And there are some exciting things coming up. πŸ‘€
New projects, new opportunities and plenty more stories to capture. 

If you’re new here, welcome!
If you’ve been here for a while, thank you for staying. 

This is What Remains. πŸ–€

Photo: Yara den Houdijker
Hi! πŸ‘‹πŸ» I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. And there are some exciting things coming up. πŸ‘€ New projects, new opportunities and plenty more stories to capture. If you’re new here, welcome! If you’ve been here for a while, thank you for staying. This is What Remains. πŸ–€ Photo: Yara den Houdijker
2 maanden ago
View on Instagram |
9/9