Marieke Berkelaar

Analoog & digitaal fotograaf
Architectuur, verlaten locaties en de verhalen die erin verscholen liggen.

Twee manieren van kijken

Ik ben Marieke, fotograaf en grafisch ontwerper. Mijn fotografie beweegt tussen twee werelden: digitaal en analoog. Digitaal geeft me de vrijheid om te experimenteren en bewust naar een beeld toe te werken. Analoog dwingt me juist om te vertragen, beter te kijken en ruimte te laten voor het onverwachte.

Wat beide verbindt, is mijn fascinatie voor wat anderen soms voorbijlopen. Verlaten plekken, stille ruimtes en sporen van een vorig leven. Ik probeer ze niet mooier te maken dan ze zijn, maar vast te leggen zoals ik ze aantref – met ruimte voor stilte, verval en imperfectie.

Mijn werk in beeld

Analoog & digitaal, beide met dezelfde blik.

Series vol verhalen

Een serie begint voor mij bij iets dat mijn aandacht trekt. Een plek, een detail, het licht of een sfeer die vraagt om verder te kijken. Beeld voor beeld ontstaat een verhaal dat meer laat zien dan één foto alleen.

@secretstoyesterday
Marieke Berkelaar

@secretstoyesterday

I photograph what time leaves behind Dutch photographer • 🎞 Analog + digital Abandoned places • Architecture • Award-winning • Published
  • Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🤍

📖 Published in the Frayme book
🖼️ On view at the Frayme exhibition
📍 De Hallen Amsterdam
📅 Opening weekend: 25–27 September
  • There’s something about slowing down. 

Exploring abandoned places with a film camera makes you see things differently. You wait for the light, look for the details and take your time before pressing the shutter.

These are some of the moments behind my exploration and the analogue photographs that came from it.

No endless shots. No instant preview. Just an abandoned place and a little patience.
  • Hi! 👋🏻 I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. 

I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. 

I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. 

In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. 

For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. 

And there are some exciting things coming up. 👀
New projects, new opportunities and plenty more stories to capture. 

If you’re new here, welcome!
If you’ve been here for a while, thank you for staying. 

This is What Remains. 🖤

Photo: Yara den Houdijker
  • Not every roll goes according to plan.

Sometimes something goes wrong during developing, but that doesn’t always make a photograph a failure. I actually love these “mistakes”. They’re unique, unpredictable and impossible to recreate digitally. With analogue photography, the process is part of the image. And sometimes, the imperfect frame tells the best story.

I’ll always have a soft spot for these little failures. 🤎
  • In a world full of AI, I choose film. 🎞️

No filters. No instant previews. No perfect pixels. Just light, chemistry, patience and a little bit of magic.

Real light. Real moments. Real film.
  • What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
  • Beach or exploring? 👇
  • …when in Brussels 🏛️

Stepping inside the Palace of Justice and instantly remembering why I’m obsessed with places like this. The scale, the details, the architecture… absolutely unreal.

And honestly? I don’t care if a building is abandoned or still alive with people. Places like these deserve to be explored and appreciated either way. Some architecture simply makes you stop and look.

Brussels never disappoints.
  • People think cemetery walks are peaceful.

My brain:
"WOW."
"Oh wow."
"LOOK AT THAT."
"ANOTHER WOW."

One beautiful monument, angel statue or mausoleum after another. I came for a walk and left with 300 photos and a camera roll full of excitement.

Historic cemeteries will never stop amazing me. 🖤
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🤍

📖 Published in the Frayme book
🖼️ On view at the Frayme exhibition
📍 De Hallen Amsterdam
📅 Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🤍

📖 Published in the Frayme book
🖼️ On view at the Frayme exhibition
📍 De Hallen Amsterdam
📅 Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam!

Some photographs find their way a little further than you expected.

My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam.

Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🤍

📖 Published in the Frayme book
🖼️ On view at the Frayme exhibition
📍 De Hallen Amsterdam
📅 Opening weekend: 25–27 September
Light will be on exhibition in Amsterdam! Some photographs find their way a little further than you expected. My analogue photograph Light has been selected for the Frayme book, featuring the work of so many talented photographers. And now, it’s leaving the pages of the book and becoming part of the exhibition at De Hallen Amsterdam. Seeing my analogue photograph that started as a frame on film become a printed image in a book, and then a photograph on a gallery wall, feels pretty special. 🤍 📖 Published in the Frayme book 🖼️ On view at the Frayme exhibition 📍 De Hallen Amsterdam 📅 Opening weekend: 25–27 September
7 dagen ago
View on Instagram |
1/9
There’s something about slowing down. Exploring abandoned places with a film camera makes you see things differently. You wait for the light, look for the details and take your time before pressing the shutter. These are some of the moments behind my exploration and the analogue photographs that came from it. No endless shots. No instant preview. Just an abandoned place and a little patience.
1 week ago
View on Instagram |
2/9
Hi! 👋🏻 I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. 

I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. 

I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. 

In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. 

For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. 

And there are some exciting things coming up. 👀
New projects, new opportunities and plenty more stories to capture. 

If you’re new here, welcome!
If you’ve been here for a while, thank you for staying. 

This is What Remains. 🖤

Photo: Yara den Houdijker
Hi! 👋🏻 I’m Marieke, the face behind Secrets to Yesterday, and I photograph what time leaves behind. I’m drawn to abandoned places, architecture, forgotten places, and the histories they hold. I’m fascinated by what once happened there and how time has changed them. I can’t photograph the past, but I can photograph what remains. The architecture. The light. Forgotten objects. Worn surfaces. The quiet marks left by time. In a world that keeps moving faster, becoming increasingly digital and AI-driven, I choose to slow down. To look closer. To go back to the basics. And I choose imperfection. In the places I photograph, in the grain and unpredictability of film, and sometimes in the final image itself. It doesn’t have to be flawless to be meaningful. For me, a photograph is perfect when it makes someone stop, look closer and wonder what once was. That’s what I want my photographs to do: preserve what remains. And there are some exciting things coming up. 👀 New projects, new opportunities and plenty more stories to capture. If you’re new here, welcome! If you’ve been here for a while, thank you for staying. This is What Remains. 🖤 Photo: Yara den Houdijker
2 weken ago
View on Instagram |
3/9
Not every roll goes according to plan.

Sometimes something goes wrong during developing, but that doesn’t always make a photograph a failure. I actually love these “mistakes”. They’re unique, unpredictable and impossible to recreate digitally. With analogue photography, the process is part of the image. And sometimes, the imperfect frame tells the best story.

I’ll always have a soft spot for these little failures. 🤎
Not every roll goes according to plan.

Sometimes something goes wrong during developing, but that doesn’t always make a photograph a failure. I actually love these “mistakes”. They’re unique, unpredictable and impossible to recreate digitally. With analogue photography, the process is part of the image. And sometimes, the imperfect frame tells the best story.

I’ll always have a soft spot for these little failures. 🤎
Not every roll goes according to plan.

Sometimes something goes wrong during developing, but that doesn’t always make a photograph a failure. I actually love these “mistakes”. They’re unique, unpredictable and impossible to recreate digitally. With analogue photography, the process is part of the image. And sometimes, the imperfect frame tells the best story.

I’ll always have a soft spot for these little failures. 🤎
Not every roll goes according to plan. Sometimes something goes wrong during developing, but that doesn’t always make a photograph a failure. I actually love these “mistakes”. They’re unique, unpredictable and impossible to recreate digitally. With analogue photography, the process is part of the image. And sometimes, the imperfect frame tells the best story. I’ll always have a soft spot for these little failures. 🤎
3 weken ago
View on Instagram |
4/9
In a world full of AI, I choose film. 🎞️ No filters. No instant previews. No perfect pixels. Just light, chemistry, patience and a little bit of magic. Real light. Real moments. Real film.
4 weken ago
View on Instagram |
5/9
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot?

These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later.

And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅

Anyway... which photo is your favorite, 1 to 10?
Drop the number below 👇
What happens when you take a 40-year-old Hasselblad out for a shoot? These 10 photos were shot with my vintage Hasselblad. There’s still something about medium format photography that digital just can’t quite replicate. The slower process, the character, the detail… and of course, not knowing exactly what you’ve got until weeks later. And then I realized… I’m actually older than this camera! So technically, the Hasselblad isn’t the only vintage piece involved in this shoot. 😅 Anyway… which photo is your favorite, 1 to 10? Drop the number below 👇
1 maand ago
View on Instagram |
6/9
Beach or exploring? 👇
3 maanden ago
View on Instagram |
7/9
…when in Brussels 🏛️ Stepping inside the Palace of Justice and instantly remembering why I’m obsessed with places like this. The scale, the details, the architecture… absolutely unreal. And honestly? I don’t care if a building is abandoned or still alive with people. Places like these deserve to be explored and appreciated either way. Some architecture simply makes you stop and look. Brussels never disappoints.
3 maanden ago
View on Instagram |
8/9
People think cemetery walks are peaceful. My brain: "WOW." "Oh wow." "LOOK AT THAT." "ANOTHER WOW." One beautiful monument, angel statue or mausoleum after another. I came for a walk and left with 300 photos and a camera roll full of excitement. Historic cemeteries will never stop amazing me. 🖤
4 maanden ago
View on Instagram |
9/9